Archive for the 'Roleplaying' Category

18
Sep
12

Story is what we make.

Last month I tabled at the Portland Zine Symposium for the second time. My first year was fun and inspiring, but my success as a publisher and creator was limited: a few people bought books, a few more shared some brief, enthusiastic conversations, and mostly people gave a glance and passed by. That’s par for the course at an event like this—the interests represented are vast and diverse, nobody has time or attention for everything, etc. But I knew there was a lot I could do to improve my approach and have a stronger presence for next year.

And I did! This year I snagged a table for both days, which helped for a start. And I knew from last year that my game The Dreaming Crucible, while it’s at the low end of the size and pricing pool for most roleplaying products, at the Zine Symposium it’s a pretty high price point, even at a discount. Which led a lot of people last year to get excited, see the price, and sadly walk away. So I decided that I would keep offering the Crucible, but add something scaled better to the Zine environment.

And thus Wilding Tales was born! Wilding Tales is a mini story game that takes the form of 5 Pocketmod booklets, each containing a different character to play in a small, intimate story of post-collapse community. It’s an experiment in distilling storygaming to its barest essence, as well as providing as simple and accessible an introduction to the activity. And I think I succeeded! I’m still working out the kinks, but expect a version of Wilding Tales to be available online soon.

I tabled with The Dreaming Crucible and Wilding Tales for both days of the Symposium, and here’s what I discovered: first, several people I vaguely recognized made a beeline for the Crucible and said something like “Hi, I saw this at the last Symposium and held off buying it ’cause of the price, but I thought about it ALL YEAR, and I’m buying it now!” It appears there was a slow burn effect going on; the price point caused people to hesitate, but come back to buy it after thinking it over. I’m comfortable with this. I completely understand the desire to be cautious with one’s spending at a show like this, and it’s also very gratifying to know that folks who were interested, then said “I dunno, let me think about it” weren’t just blowing smoke.

My second discovery is that Wilding Tales was a perfect fit for the Zine Symposium! Lots of tablers at the Symp focus on small $1-5 products that are easy to impulse-buy without a lot of financial commitment, and the tales filled that niche nicely. I arrive with unassembled booklets, and I found they flew off the table as fast as I could cut, fold and glue them!

I did have a lot of learning to do in terms of how to package Wilding Tales. One book does nothing; you need two to play and three or more is ideal. So I ended up pricing them 3 for $2 to incentivize purchasing multiples, and by the end of the show I’d figured out that really, the set of five was the “unit,” and that’s what I pushed, 5/$4. I have dreams of a “collect the whole set” element, with different players having different books and clustering off to play new and surprising games with characters they’ve never seen before, in infinite combinations. But that’ll have to wait until there are many more characters designed, and I still will never sell them singly. The point is to be able to play right away!

All in all, the show was a lot of fun and more energizing for me than last year’s. I did a lot of trades, which always feels great: it puts the interaction on a footing of sharing passion and takes it out of the realm of commerce. I picked up a lot of neat stuff: highlights include vintage anarchist lit publisher Corvus Editions, with whom I traded Wilding Tales for Portland Oregon A.D. 1999, a century-old futurist writing;  delightful superhero relationship comic The Flying Mess by Whitney Gardner; cryptych, a tiny, beautiful book of e.e. cummings tribute poetry by Loren mccRory (a trade for Dreaming Crucible); and the re-release of Love Is Not Constantly Wondering if You Are Making the Biggest Mistake of Your Life. I admired the breathtaking Collective Tarot and got to flip over a card, finding one pregnant with meaning for me. Plus a huge pile of journal zines, silly comics and photos, screen printed decorative patches, buttons and stickers.

A woman from the Timberland Regional Library in Olympia bought a copy of all my stuff for the library; she said that a co-worker had asked her to look specifically for gaming zines, and I’m glad I could fit that bill. I had nice camaraderie with my tablemates, lots of friendly support from Symposium volunteers like Christina “Blue” Crow, and even met a few friends of Olympia friends while wearing my Fabricated Realities shirt. An afterparty with Karaoke and Beer at the Independent Publishing Resource Center topped of a wonderful weekend.

I can’t get over the wonderful thrill of PZS. Even a month later I’m feeling the creative and social high. It’s not just that it’s a great venue for small-scale self-publishers to hawk their wares—though it is that. It’s also a place where everyone’s voice is heard, where people are doing more than buying and swapping products, they’re swapping passions, swapping dreams, swapping stories. Because our stories are what we make. I can’t wait for next year, and I’m excited to continue exploring the intersection between crafting our own publications and making stories together.

Peace,

—Joel

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26
Aug
12

A Beautiful Reality

Fabricated Realities is a story game convention in Olympia where games are played inside art installations. Last month I attended for the second year running. It was, once again, one of the richest, most socially bonding and energizing experiences of my life.

It’s hard to describe why. I mean, the art was delightful. And the games played were rewarding and emotionally resonant. And the folks at the convention are some of the sweetest, most thoughtful and wildly creative folks I’ve ever known. But it’s more than the sum of its parts. All those factors combine in an indescribable alchemy to produce something truly wonderful.

How does this alchemy occur? What’s the process? Well, let’s start with the most obvious ingredient: roleplaying inside FREAKING ART INSTALLATIONS. Seriously, from the moment I first heard of the concept, I knew this alone would be worth the price of admission. Even if nothing Olympiaelse was altered from my usual play culture and tecnhiques, it would be wonderful to play games inside art. Self-evidently.

Continue reading ‘A Beautiful Reality’

30
Jun
12

Sorcerer: inaction and consequence

After 7 years of anticipation, pondering, forum reading and false starts, I played an extremely satisfying game of Ron Edwards’ Sorcerer with some friends. Jesse Burneko of the Play Passionately blog and Actual People, Actual Play podcast was the gamemaster.

Jesse brought a craft and focus to the game that finally made Sorcerer “click” with me. I’d already learned a lot from my own failures with the game, but the “negative learning” of working out what not to do just didn’t compare with the positive learning of seeing what a well-run, super-charged and engaged game of Sorcerer looks like. It was the final piece in the puzzle of consistently fun and rewarding play of the game, for me.

Our game was called “Down by the Sea,” set in a West Coast town modeled on Venice Beach in California. Home to bohemian artsy types, small-business entrepreneurs and homeless beach campers, this cozy community was the backdrop for three characters: Sebastian, hedonistic nightclub owner  who led a cult of Dynonisian hedonism and whose club was a powerful demon that hungered for decadent acts to be performed within its walls. Kelly, an art director whose Demon, Kennedy, was a smoking hot babe determined to see him go far in the art world, at any cost. Gunther, a homeless anarchist shit-kicker whose leather jacket was a Demon named Vildgrim that craved mayhem and battle.

Continue reading ‘Sorcerer: inaction and consequence’

19
May
12

Accelerated Fluency 3: the Fluent Edge

Welcome to Accelerated Story part 3, where we’ll continue to look at Willem Larsen’s “Rules of Accelerated Learning” from his Language Hunters blog, and explore how to apply those rules to story gaming/roleplaying.

As always, Willem’s disclaimer: Each rule is very contextual; these are not silver bullets or cure-alls.

The third rule is The Fluent Edge:

It’s easy to be bored by the amount of repetition needed to become fluent, and overwhelmed by the complexity of what you want to learn.

Therefore, perform your skill at your current level of fluency, and then increase the challenge by a tiny bit more – taking you to your FLUENT EDGE.

This is perhaps the most fundamental principle of accelerated learning, or even of gameplay itself. The energizing factor, the sheer excitement of play, is the walking of this edge, getting into the “zone” where players are just challenged enough to engage fully in the game without becoming bored or overwhelmed.

Continue reading ‘Accelerated Fluency 3: the Fluent Edge’

13
May
12

Indie Hurricane: a whirlwind of community

In March, I organized the Indie Hurricane department of the Portland area’s Gamestorm convention for the second year running. Last year’s hurricane was a polite little gale, fun but modest in size, and downright polite. This year it was a raging storm and a smashing success.

Our games took over the entire upper lobby surrounding our designated play room, with games swarming over couches and coffee tables. The enthusiasm and creativity was palpable as indie gamers from Portland, Seattle, Olympia, British Columbia and more rocked games that were by turns tender, silly, action-packed, and romantic. I was so proud to see our crew forming such an amazing and dynamic presence at the con. The Open Story Gaming Circles that we formed twice daily, where a bunch of facilitators each pitch a game and interested players break off into whatever game appeals most, served a valuable role in balancing spontaneity with structure, and seemed to do a marvelous job of pulling in new players. Many, many game tables seated a mixture of familiar and unfamiliar faces, all having a good time. The games I played in were phenomenally fun and rewarding.

Continue reading ‘Indie Hurricane: a whirlwind of community’

18
Mar
12

Accelerated Story 2: Fluency

Welcome to Accelerated Story part 2, where we’ll continue to look at Willem Larsen’s “Rules of Accelerated Learning from his Language Hunters blog, and explore how to apply those rules to story gaming/roleplaying.

As always, Willem’s disclaimer: Each rule is very contextual; these are not silver bullets or cure-alls.

The second rule is Fluency over Knowledge:

Even after much training, it can be disappointing how little you are able to do (or remember)…

Therefore, prioritize doing over knowledge-about.

Continue reading ‘Accelerated Story 2: Fluency’

21
Feb
12

Monsterhearts is Monster Love

At the time of this writing, the IndieGoGo fundraiser for Joe McDaldno’s story game Monsterhearts has about 24 hours to go, and it’s raised over $10,000, in excess of its $2,500 goal.

This is exciting for a lot of reasons. For one thing, Joe’s a friend, so it’s great to see his project attract a lot of support do well. And for another, Monsterhearts is a great, exciting game. It’s about teenage monsters and their messy, sexy relationships, and it’s a strange mixture of camp, transgressiveness, parody and emotional honesty. Somehow the game simultaneously manages to celebrate, deconstruct and transcend its source material all at once. And it’s super fun to play.

The fundraiser is also exciting because Joe’s put a lot of passion, craft and ingenuity into his contributor rewards and milestones: handcrafted zines, mix CDs, postcards, stenciled folders, charity donations and new game material. It makes me want to back him at the highest level just to receive such wonderful gifts from his hand. And it speaks volumes of Joe’s love for personal expression and self-publishing.

Continue reading ‘Monsterhearts is Monster Love’




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